IFUGAO to OCCIDENTAL MINDORO IFUGAO (FILIPINO SOCIETY OF NEW YORK) – Valerie Claire West. True, this singer’s every inch a New Yorker, with no trace of Cordillera upbringing. Then again, we don’t always see the home of Banaue Rice Terraces … Continue reading Miss Universe Philippines 2025 Candidate Round-Up (Part Two)
ALBAY to GUIPOS, ZAMBOANGA DEL SUR ALBAY – Rani Lachmi Dado. Skipping 2023 didn’t go without repercussions for the home of Mayon as it missed the cut upon its return. Hoping to restore its fortunes is this junior architect, whose … Continue reading Miss Universe Philippines 2025 Candidate Round-Up (Part One)
After only five years, Miss Universe Philippines has already entered a new era. This year’s edition began with National Director Shamcey Supsup-Lee announcing her bid for Pasig councilor in the 2025 Local Elections. This left her no recourse but to … Continue reading Miss Universe Philippines 2025: A Prelude
Colson Whitehead’s The Nickel Boys was, in effect, one of the last great reads from the Old Normal. Published in mid-2019, the book followed two African-American boys enrolled in Nickel Academy, a reform school based on the now-defunct Dozier School … Continue reading Immersive Hidden Dread: A Review of RaMell Ross’s “Nickel Boys”
Its brilliance begins with its broad title. The British mini-series Adolescence depicts exactly what you’d associate with the word, from schoolyard bullies to grappling with repressed emotions. A quarter of it also happens on campus, which, admit it or not, … Continue reading “Adolescence”: Bound to Stun All Age Groups
Four years zoomed by since Japanese Breakfast’s happier-than-usual Jubilee earned them both Billboard and Grammy attention. It’s also been that long since their vocalist, Michelle Zauner, showcased her writing skills in her best-selling memoir, “Crying in H Mart”, which was … Continue reading Japanese Breakfast’s “For Melancholy Brunettes (& sad women)”: A Morose Return to Form
They called the original “Walt Disney’s Folly”, because everyone was convinced that any cartoon longer than Silly Symphonies was doomed to fail. They were wrong, of course. Not only did “Snow White and the Seven Dwarfs” earn more than all … Continue reading Snow Woke is the Real Disney’s Folly
It’s not often that we hear of films so economically made, that no storyboards were used and no scenes had to be deleted. Yet, here we have Latvia’s Straume (English title: Flow), a hit so surprising, it’s now the most … Continue reading Festival Log: FDCP’s A Curation of World Cinema (“Flow”)
The two Asian entries are acquired tastes. Stick around long enough, and you’ll be rewarded. BLACK DOG (China) Stories about man and man’s best friend are dime a dozen, but there’s something uniquely whimsical about Guan Hu’s Black Dog, even … Continue reading FDCP’s “A Curation of World Cinema” (“Black Dog” & “A Traveler’s Needs”)
The opening Arabic text gives the lowdown on the metaphorical tree. In English, it goes: “Ficus Religiosa is a tree with an unusual life cycle. It seeds, contained in bird droppings, fall on other trees. Aerial roots spring up and … Continue reading Festival Log: FDCP’s “A Curation of World Cinema” (“The Seed of the Sacred Fig”)
This year’s Western European entries happen to be offbeat coming-of-age tales. The British film follows a teenage girl who discovers her inner power thanks to her peculiar new friend, while the Belgian entry redefines young love. BIRD (United Kingdom) Barry … Continue reading Festival Log: FDCP’s “A Curation of World Cinema (“Bird” & “Young Hearts”)
For the third straight year, the Film Development Council of the Philippines (FDCP) showcased “a diverse selection of acclaimed internationally-produced films” in the mini-festival aptly titled “A Curation of World Cinema”. Through this initiative, they continually seek to solidify the … Continue reading Festival Log: FDCP’s “A Curation of World Cinema” (“Dahomey”)
Three months ago, Jomelle Joegy Marquez didn’t think she’d head this route. That was until she turned 15 last January, when she found herself joining Miss Teen International Philippines as Parañaque’s representative.It was hard to believe she only had nine … Continue reading THIS IS 40: Discovering a Teen Queen
Given the horrors faced by Asian-Americans as of late, the title is already enough to provoke. More so, because the first sentence already speaks of a Chinese-born character’s death. But, it’s not from a random act of violence, as some … Continue reading The Horrors of Appropriation: A Review of R.F. Kuang’s “Yellowface”
40 years ago today, Prince won his only Oscar. It was presenter Michael Douglas who summed up the category’s criteria, saying that the film score should contain at least five original songs. Kathleen Turner then further clarified that the songs … Continue reading My Monthly Dig: “Purple Rain” by Prince & the Revolution
Whenever we’d gather for Sheena’s birthday, her 2010 celebration comes to mind. Those were more carefree times, obviously, when any wholesome beverage mixed with booze already constituted a cocktail and our lungs still had the threshold for cigarette smoke mixed … Continue reading THIS IS 40: Of Revelries Mellowed Over Time
Even before Simon Stålanhag’s The Electric State made it to shelves, it was already destined for the screen. Somehow, however, this $320-million Netflix spectacle deviates from the book’s dark, dystopic commentary on America’s collapse. Guess it’s inevitable, with Anthony and … Continue reading “The Electric State” Short Circuits
Harris Dickinson has undoubtedly mastered onscreen sleaze. To expound would entail spoiling both Where the Crawdads Sing and Triangle of Sadness. Point is, he’s nailed the archetype, as he once again scores a devious role. Much as he’s not yet … Continue reading Mock-Empowerment: A Review of Halima Reijn’s “Babygirl”
It pays to remember that sci-fi is Bong Joon-Ho’s forte, even with Parasite still in our collective memory. In fact, it was The Host which first earned the South Korean filmmaker global attention in 2006. That, in turn, paved the … Continue reading “Mickey 17” Misunderstands Itself
For one thing, it’s already technically a Grammy winner, with “Die With A Smile” earning her Best Pop Duo/Group Performance with Bruno Mars last February. That’s already one box ticked, as far as accolades are concerned, but that wasn’t the … Continue reading “MAYHEM” in the way only Lady Gaga can pull
Planet Chuckie 