Mock-Empowerment: A Review of Halima Reijn’s “Babygirl”
Harris Dickinson has undoubtedly mastered onscreen sleaze. To expound would entail spoiling both Where the Crawdads Sing and Triangle of Sadness. Point is, he’s nailed the archetype, as he once again scores a devious role. Much as he’s not yet … Continue reading Mock-Empowerment: A Review of Halima Reijn’s “Babygirl”