Scandinavia, Day 1: Drive-By Copenhagen

It’s not very common for any Europe first-timer, among my peers at least, to have Scandinavia as the first stop. So when the opportunity presented itself earlier this year, I knew I had to grab it. True enough, the moment I stepped out of the plane that morning, it wasn’t just my first step in a country; it was also my first step in a continent. The last time I first set foot in a continent other than my own was when I visited my Dad in Chicago at age three. It felt surreal replicating that milestone thirty years later. And this was quite possibly the most fun I ever had hanging out with a group of dentists. That one, I’ll explain in a few…

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Dolores O’Riordan, 1971-2018

I had the pleasure of watching The Cranberries’ Manila concert back in April 2012. Just like most attendees that night, I considered their music vital to my formative years. Everyone in his or her 30s now would agree. I had cassette copies of To the Faithful Departed and Bury the Hatchet. Zombie and Ode to My Family were my favorite tracks in my Now! That’s What I Call Music tapes. And really, who didn’t attempt to yodel along?

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Saturday Spelunking: The Curious Case of Gwangmyeong Cave

The trip began on an anxious note. That much I established earlier. So, it’s a good thing that our second day fell on a Saturday. And with no one to inundate me over the phone that weekend, I actually did enjoy a Morning Calm (Don’t push it, Self). At that point, I resolved to look at the bright side of my ongoing murky situation and just take a breather: Just like that day’s destination, which endured a grim, shaky history before evolving into the visual spectacle that it is today.

Such is the peculiar case of Gwangmyeong Cave.

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Sub-Zero Seoul

For the first time ever in a long-haul flight, I couldn’t sleep a wink. Back home, I was on the cusp of a major turning point, one that had been causing me weeks of anxiety. I was  bound for rattling change, regardless of which choice I made. Not knowing whether it would happen during or after the trip was the killer. The uncertainty got the best of me. But I resolved to keep my plight from my travel companion, Marga, even for just four hours.

I won’t expound on that ordeal anymore, but I’ll say this: Life’s too short for us to be constantly threatened with disapproval. If something limits or, worse, consumes us, then it’s time to search for other avenues. But thankfully, really, this maiden Korean voyage was what it took to get my “Seoul” back. Pun gleefully intended.

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“Okja”: Occasionally obnoxious, mostly provocative

OKJA
D: Bong Joon-Ho
S: Ahn Seo-Hyun, Tilda Swinton, Paul Dano, Jake Gyllenhaal
121 minutes
RATING: Ratings copy 5

South Korean director Bong Joon-Ho’s journey to this year’s Cannes Film Festival was anything but smooth. Just ask any audience member who booed his latest film when the Netflix logo appeared onscreen. Their main beef – or should I say pork (?) – is that it will never be released in French cinemas, or any cinema outside the US, UK, and Korea, for that matter. Instead, it will be largely available online, as part of Netflix’s original line-up.

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Remembering J.R. Isaac

I briefly worked with J.R. Isaac when TV5 hired him to handle publicity of its young artist pool back in 2012. The campaign involved sending the talents to high-profile events, concerts, and parties and culminated with this memorable fashion shoot with his brother Raymund. During that brief period, I found J.R. to be patient and full of energy, in spite of his seemingly-pensive facade. He made sure everybody had fun. I had fun.

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Enthusiasm keeps problematic “Ponching” afloat

Ang Bagong Pamilya ni Ponching
D: Inna Salazar Acuña and Dos Ocampo
S: Janus del Prado, Ketchup Eusebio, Lollie Mara, Joyce Burton Titular, Odette Khan, Ricardo Cepeda
RATING: Ratings copy 7

Hitches abound in Inna Acuña and Dos Ocampo‘s joint directorial debut. For the most part, Ang Bagong Pamilya ni Ponching plays like a 90s local sitcom. It’d feel no different filmed in a shoddy set, replete with laugh tracks. Save for a hilarious Snapchat reference, most of the gags feel generic and passé. But what this earnest morality tale lacks in freshness is counteracted by its overall enthusiasm.

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“Dagsin” drags

Dagsin
D: Atom Magadia
S: Tommy Abuel, Lotlot de Leon, Janine Gutierrez, Benjamin Alves, Sue Prado, Marita Zobel, Rolando Inocencio, Alex Diaz
RATING:  Ratings copy 6

The title of Atom Magadia‘s directorial debut translates to “gravity”. Unfortunately, there isn’t enough of it to pull us in. It opens with Tommy Abuel trying to shoot himself Deer Hunter-style to no avail. With that debilitating image, Dagsin goes off on a promising start but barely takes off.

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Hanoi Parting Shots

Because of the major shift in our itinerary, we spent the last two days of our trip back in Hanoi. It’s a shame we couldn’t maximize the Halong Bay experience, but then again, there really is no bargaining with Mother Nature. On the bright side: Hooray for refunds and hooray for short-notice vacancies (Hanoi Chic Hotel, we love you already)!

Yes, crazy adjustments had to be made, but it was nothing a serving of spring rolls, stir-fried vermicelli, and a cup of Vietnamese coffee couldn’t fix.

Thanks to our bonus hours, we were allowed more leisure time in the capital:

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Halong from the Other Side!

We had just entered Halong City when our designated guide received a call from their head office. The unexpected inclement weather cast a literal cloud on what was supposedly a three-day cruise. Apparently, this country is immune to weather forecasts. Not wanting to put our four-hour bus ride to waste, our travel group unanimously decided to at least push through with a day trip via Seasun Cruise Ship.

No amount of volatile meteorological developments could stop us from witnessing the hypnotic splendor of Halong Bay!

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Barangay Napalm

I spent my last few hours in Baler exploring a fragment of film history. This was where portions of Francis Ford Coppola‘s Apocalypse Now (1979) were filmed. And while majority of the film’s sequences were shot in Pagsanjan, it was in this very town where they did this iconic scene with Robert Duvall:

Production was marred by several delays: The set was ravaged by a typhoon, Martin Sheen suffered a heart attack, and Marlon Brando‘s eccentric behavior drove Coppola nuts, just to cite a few unfortunate incidents. Fortunately, the film did go on racking up several accolades, including Oscars for Cinematography and Sound Editing. More importantly, it’s now considered as one of the quintessential Vietnam War movies. But for the then-untapped town of Baler, Apocalypse Now‘s legacy transcends the realm of cinema.

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